Eden Brent’s piano playing and singing style is simultaneously confident and confiding, ably blending an earthy meld of jazz, blues, soul, and pop.
Eden Brent’s piano playing and singing style ranges from a melancholic whisper to a full-blown juke joint holler. She’s simultaneously confident and confiding, ably blending an earthy meld of jazz, blues, soul, and pop as she huskily invites listeners into her lazy, lush world.
That world lies just north of Greenville, Mississippi on the two-lane Highway 1, which follows the twists and turns of the river through fecund swampland, time-forgotten plantations, and blink-and-you’ll-miss-‘em communities like Rosedale, Beulah, and Stovall before it dead ends into Highway 61 just south of Onward.
It was there that Brent was able to develop her gutsy vocal-and-piano chops via family sing-a-longs and a 16-year apprenticeship with the late blues pioneer Boogaloo Ames, who ultimately dubbed his protégé “Little Boogaloo.”
“Music school taught me to think, but Boogaloo taught me to boogie-woogie,” says Brent, who appeared alongside her mentor in the 1999 PBS documentary Boogaloo & Eden: Sustaining the Sound and in the 2002 South African production Forty Days in the Delta.
Where most 21st century roots musicians merely emulate their heroes, Brent and Ames were both “soul mate and road buddies,” says lifelong friend (and acclaimed journalist) Julia Reed. “She was a young white woman of privilege and he was an aging black man in the Mississippi Delta, but theirs is a phenomenal story of mutual admiration and need.”
Yet much more than the blues flows through Brent’s talented hands: Critics laud her “Bessie Smith meets Diana Krall meets Janis Joplin” attitude, compare her to jazz/pop dynamos Norah Jones and Sarah Vaughn, and wax effusively about her “whiskey-smoke” voice, which serves as a constant reminder that Greenville, nestled into a bend of the Mississippi River, is located a few hundred miles north of New Orleans.
Whether booked as a solo artist or bandleader, Brent’s performance is fresh and spontaneous, often filled with audience requests and participation. Her unshakable talent and her carefree demeanor have taken her across the country and around the world, but the 2009 Blues Music Awards cemented Eden’s place as one of the fresh voices propelling this vital American music forward. She was nominated in four categories, winning both “Acoustic Album of the Year” and “Acoustic Artist of the Year” honors (joining Buddy Guy, B.B. King, and Janiva Magness as the only multi-category winners for the year). As Chip Eagle, publisher of Blues Revue, BluesWax, and Dirty Linen says, “in Eden’s huge playing and singing you can hear the ghosts of Mississippi in a duet with the future of the blues.”
Celebrated boogie-woogie pianist Eden Brent enjoyed a momentous 2010. The gorgeous Mississippi native released a new album, ‘Ain’t Got No Troubles,’ on Yellow Dog Records, which debuted at #5 on the Billboard Blues chart and #1 on the iTunes Blues chart, won her third Blues Music Award for Pinetop Perkins Piano Player of the Year, received an artist fellowship from the Mississippi Arts Commission and was greeted with ecstatic reviews for her new CD. USA Today praised Brent’s “raw vocal sound” while NPR Song of the Day called her “irresistibly fresh.” In addition, Brent was featured guest on several nationally syndicated radio programs, including NPR Weekend Edition, American Routes, House of Blues Radio Hour and Beale Street Caravan.


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